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  • About C2
    • About C2
    • About MCC
    • About MCML
    • Book Our Space
    • Connect 2 Craft
    • Accessibility Information
    • Gladys Chown Memorial Library
  • Shop
  • Calls For Submissions
  • What’s On
    • Events
    • Exhibitions
    • News
    • Workshops
    • MCC Awards
    • Make it at Home
  • Get Involved
    • Donate
    • Volunteer
    • Membership
  • Galleries
    • Member Gallery
    • Museum Collection
    • Gladys Chown Memorial Library
    • Explore Manitoba Craft History
    • MCML 360 Images
    • Indigenous Collections at MCML
    • Inuit Collection at MCML – On the Map

Doll/Poupée

  • Doll Making

Chinese Royal or Merchant doll wearing a blue robe embroidered with a bull’s face; loose belt around waist. Clothing style is indicative of the Ming Dynasty; gold crown, high wooden shoes, and long fingers (representing long fingernails) reflect royal status. Also called Chinese Opera dolls as they were often given as Peking opera souvenirs.

Poupée « Chinese Royal » ou « Merchant Doll » portant une robe bleue brodée d’un visage de taureau; ceinture lâche autour de la taille. Le style vestimentaire est caractéristique de la dynastie Ming; la couronne d’or, les chaussures hautes en bois et les ongles longs (représentés ici par de longs doigts) sont propres aux familles royales. Également appelées en anglais « Chinese Opera Dolls », ces poupées étaient souvent offertes à titre de souvenir de l’opéra de Pékin.

Unknown
Wood, linen, silk/Bois, lin, soie
30cm (l) x 34cm (w)
Early 20th century/Début du 20e siècle
Details
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The C2 Centre for Craft  is located in what we now know as Manitoba, the ancestral lands of the Anishinaabeg, Ininiwak, Dene, Anishininewuk, Dakota Oyate, Inuit Peoples, and the national homeland of the Red River Métis. These lands include territory subject to Treaties 1, 2, 3, 4, 5, 6 and 10.

Craft occupies a space that has the hand and the handmade at its centre. It rejoices in sharing knowledge and solving problems. It stems from, creates, and nurtures community. It allows us to build bridges through shared action, but also fosters courage, empathy, and connection.

We acknowledge the deep harm caused by settlement, and we look forward to using craft in our efforts towards reconciliation and positive change.

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